Freya’s Sulphuric Necklace

In another post, Yellow Dock: Badger Medicine for a New Story I recounted how our dog Freya got a new tale and became my teacher. So, the other day, when she began digging again, relentlessly, all over the newly grassed loonie pad, I took notice. She knows so much more about the gods and nature spirits than I do, as she runs with them every day. This time she was eating clay, rather than roots, so I duly searched on ´Freya and minerals´ and it didn’t take long to uncover the story of the Norse Mother Goddess Freya and her signature necklace, Brisingamen.

Freya, the most beautiful goddess and supernatural embodiment of lust, fertility, battle and magic is said to have acquired the fiery necklace from four dwarves, that she stumbled upon in their forge in the borderlands. The necklace was so beautiful and her desire for it so intense that after the dwarves refused to sell it to her for gold or silver, she agreed to their exceptional terms and spent a night with each of them in turn. The rest of the story drivels on about how she felt ashamed after and eventually shrivels and dies under the standard Christian morality makeover. The necklace is a mystery, but then so is Freya. The dwarves are probably a later addition to the story.

As it happens, we have some friends here who have introduced us to the Bock Saga. The Bock Saga speaks of prehistory, long before Norse lore and Christianity. In this story, Frey and his twin sister Freya are the progenitors of the human species. I’m not familiar enough with the Bock Saga to know whether there is any mention of Freya having an actual necklace, but the metaphysical allusion is clear. The Saga tells, that as Frey reached puberty, he began producing ‘seeds’ and this was the signal that he was ready to receive the seed sounds, referred to as the alphernas beten.

I’m struck by the similarities between the described function of alphernas beten and the seed sounds known as bija in the vedic system. I think it’s quite likely that a root language emerged at the same time in different locations on the planet. Many researchers agree that the old vedic language originated from beyond the Indian sub-continent, but a ‘mine is older than yours’ mentality is not useful here. Coming (gulp) back to Frey and Freya and her magical necklace.

As Frey aligned himself with the vibrational frequencies of the sounds, he is said to have come into resonance with the primal wisdom necessary to maintain harmony on the planet, which he had to impart to his sister, Freya, so that it could be received and activated. According to the Saga, the intention of this incestuous coupling was to generate a system of procreation that maintained goodness and balance in the descendants of Frey and Freya. Much is made of the physical, biochemical properties of semen as the vehicle of procreation, however, the seed sounds as pure frequency are likely to have a far broader co-creative function. ….and what about Freya?

The bija seed sounds of the vedic system are also known as shakti mantras. They are used in devotion to the Goddess, but they also carry the vibratory forces of Nature that hold, resonate and propel the kundalini force, and shakti is also that power. Think of the mastery of a flamenco guitarist as he makes love with his instrument – there would be no music without his skill, knowledge of the musical language, the intention and timing behind every pluck and the she-er resonant perfection of the guitar, holding and amplifying the sound, his fingers moving up and down her neck….hold it right there!

The physical analogue to Freya’s Brisingamen is the human larynx.

It might not seem immediately obvious, but the human voice generates form, but not the form you have been taught to expect from the meaning associated with the sounds you make. Just look and listen. The connection between the mangled garbage that comes out of most people’s mouths and the ugliness that manifests in their lives is hard to ignore. The magical tongues of our ancestors hang silent as we burn the guitar for kindling – no wonder there are so many thyroid problems.

In his article, ‘Brisingamen, the necklace of Freya’ David Warner Mathisen makes the case for the Brisingamen being the Corona Borealis (Northern Crown) and the constellation of Bootes as Loki.

Northern Crown (yellow) Bootes and Viro from StarMythWorld

The Poetic Edda and other early Norse poems mention how Loki, stole Freya`s necklace and Heimdal, the watchman and the ‘most shining and whitest of gods,’ fought Loki and won it back for her. Mathisen’s goal in this article (so far as I can tell) is to prove that Norse and Japanese mythologies were based on the same constellations, however, he inadvertently highlights something else of greater significance. He points out that the Corona Borealis/Brisingamen is not located in the constellation of the Virgin, where it belongs, but is located the other side of Bootes/Loki, as he hovers over her. So did Heimdal get Freya`s necklace back or not? Or maybe, not yet?

If the human correlate of the Brisingamen is the larynx, then it follows that we lost our power of magical speech because Loki, the trickster and contriver of fraud, stole the necklace. As above, so below. The dreamtime of celestial events and mythology is not necessarily chronological and the stories they tell might play out over eons. The return of the necklace could well be an episode in the story that has not yet happened, as evidenced by the location of the Corona Borealis.

And who is Heimdal?

The authors of Hamlet’s Mill, say that Heimdal stands for the world axis. This is also known as the Shiva linga or skambha/stambha, the cosmic pillar of fire joining heaven and earth, which has at one end of it the Pole Star. Polaris is not currently aligned with Heimdal and this alignment is projected to occur within the next century, or at the latest by 3000AD – roughly in line with the predicted end of the Kali Yuga.

The Poetic Edda has this to say about Heimdal/Heimdallr:

“Heimdallr is the name of one: he is called White God. He is great and holy; nine maids, all sisters, bore him for a son. He is also called Hallinskídi [“Ram”] and Gullintanni [“Golden-teeth”]; his teeth were of gold and his horse is called Gold-Top. He dwells in the place called Himinbjörg [“Heaven-fells”], hard by Bifröst: he is the warder of the gods, and sits there by heaven’s end to guard the bridge from the Hill-Giants [Jotun]. He needs less sleep than a bird; he sees equally well night and day a hundred leagues from him, and hears how grass grows on the earth or wool on sheep, and everything that has a louder sound. He has that trumpet which is called Gjallar-Horn, and its blast is heard throughout all worlds. Heimdallr’s sword is called Head.”

In Norse mythology, the events of the end of the world/age are referred to as Ragnarok. The story goes that Heimdal signals the commencement of the final battle of Ragnarok, by blasting his horn. The gods fight their enemies and many are killed, including Heimdal and Loki who slay each other. Then a new game begins. There are, of course, many versions of the end of the world scenario. I have no doubt that an epic event (or series of events) is on the horizon, but I am also totally confident that the outcome is not predetermined. This would be absolutely pointless and utterly boring, to the gods.

The gods have already given us ALL their power, including the power to completely destroy ourselves as well as the version of them we have created in this age. They are infinite energy and will be reiterated, and the same goes for us. Once you get this, you can play. The only strategy you need is: where are you going to play and how are you going to win.

In this game Freya’s Brisingamen is one of the magical weapons offered to us – the ability to recover and deploy the magical language that creates form. This is a male/yang energy, available to both men and women, sol-fire, from Freya´s sulphuric necklace.

Freya and her sulphuric necklace of amber